Poetry of the shifting architecture of a world we think we know
Acclaimed author Rae Armantrout's remarkable new collection Safe Rooms, explores the undercurrents of modern life with an unflinching eye on human nature, social malaise, and the unsettling ways in which we attempt to protect ourselves from a world that continually undermines our sense of safety. As the title poem says: "your thoughts /roar and echo//around you—originating/god knows where.// You try to plug your ears/but you are an ear/ that can't stop listening." Through poems that examine our darker impulses—our tendencies to self-destruct, to grapple with envy, and to navigate the intricate web of family dynamics—Armantrout captures the complex, often contradictory ways in which we search for meaning and connection. Her work holds a mirror to the forces shaping us, both intimate and vast, showing that the so-called "safe rooms" we construct are fragile, temporary shelters, not havens from the chaos that surrounds us.
[sample poem]
THE UNCERTAINTY PRINCIPLE
1
An atom "is localized
by an interaction"
the way you surprise yourself
by expressing an opinion
when asked,
one you didn't know you had
and may not hold
for long.
2
A subatomic particle is not
its mass or spin
the way a person
is not a body
and a poem is not
what it says.
"The incisive 19th collection from Armantrout (Go Figure) is another sterling example of her humorous and philosophical perspective on a world of selfies and existential dread... [I]ts pages are rich with cerebral and linguistic playfulness. The result is another insightful contribution from one of the clearest-eyed diagnosticians of the modern age."—Publishers Weekly
"Pulitzer and NBCC Award winner Rae Armantrout seems to have understood, long before the age of doomscrolling, that we live by grabbing scraps of language and attaching our own meaning to them. Her short, staccato poems, often set in numbered sections, draw words and ideas from many sources, especially news and advertising, making Armantrout something of a reporter."—Craig Morgan Teicher, The Lit Hub
"Rae Armantrout's concentrated, fast-acting poems are a bracing tonic for our unreal times. She cuts to the core of our culture, where guns are 'in the strip-mall / between Insta-Print / and Whole-Body Massage.' These poems work hard to locate meaning in our universal blandness. The 'stick music' of her spare stanzas captures a hybrid quality between nature and language. Drawing inspiration from diverse sources such as myth, dreams, and cognitive science, Armantrout has an eye for everyday disjunction: 'when the this / and the that / don't match, // something's about to happen.' Fortunately for us, that something is usually a poem—weird, witty, telling, and compelling as only Armantrout could write it."—Elaine Equi
"Armantrout's keen observations extend beyond individual relationships, delving into broader societal issues with a sharpness that has made her a towering figure in contemporary poetry. She remains one of the finest poets of our time, at the top of her craft. Safe Rooms is a powerful testament to her ability to unearth the most vulnerable parts of the human experience and present them with both precision and compassion."—Peter Gizzi
"An incisive psychological probing animates Armantrout's relentless examination of the contemporary—what is it to be in the world, given that "to be" indicates stasis, while the world she traces is anything but static? She locates language as the engine that drives the unstatic, creating intricate mazes in which apparently transparent phrasing pulls us into brilliantly zippy, snappy, sassy, and uncannily accurate snapshots of our own daily lives. A tour de force of affectionate insight."—Cole Swenson
