Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, offers 2 books in one with this volume of poetry. Jones renders the saga of Palmares, a foundational tale in the annals of colonial terrorism and Black resistance, in verse, told in the voices of the characters in her epic novel Palmares.
In the late 17th century, the fugitive slave enclave of Palmares was destroyed by Portuguese colonists. Amid the flight and re-enslavement of Palmares’s inhabitants emerges the love story of Almeyda and Anninho. In Song for Anninho, Almeyda moves between a dark present, in which she is once again enslaved and abused by a terrible captor, and memories of her lover, Anninho, whom she believes to have been killed. Song for Almeyda, released now for the first time, is told in the voices of Anninho and his fellow warriors.
Fans of Corregidora (one of The New Yorker’s “Best Books We Read in 2020” picks), which tracked the legacy of enslavement, and Palmares will especially appreciate these verses. Brimming with intimacy, history, and revolution, the poems collected serve as a declaration of decolonial love.
“Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.” - Anna Wiener, The New Yorker
“These are songs of longing and love, journeys of discovery and wholeness, revelations about trauma’s deep impact on body and soul, and simultaneous declarations of resistance and acceptance. Readers enthralled by Palmares will enjoy the added dimensions here, while others will be moved by the historical Black voices and oral traditions Jones so powerfully evokes.” - Booklist
“An exquisitely beautiful book-length poem, Song for Anninho, that was set after the destruction of the community that would be the subject of Palmares.” - Farah Jasmine Griffin, The Nation
“A literary giant, and one of my absolute favorite writers.” - Tayari Jones“Telling stories out loud was a matter of survival - and the way Jones wields this tradition transforms even a nursery rhyme into something dirty, dangerous, and important.” - Calvin Baker, The Atlantic
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