“M. Nzadi Keita has given us a long-breath song of Black witness, missed kisses, and love’s labors lost, longed for, and remembered. Migration Letters summons life from clay and concrete and loam, reconfigures it into lyric, stanza, testimony.”
—Jabari Asim, author of Yonder
“As if entering a darkroom, Sister M. Nzadi Keita has entered the silences surrounding Black working-class migrants, transforming their lives, and carved that quiet, steady living into photographs. We see their journeys out of Southern kitchens and sawmills to Philadelphia homes and churches, newly integrated schools, resonant Civil Rights trauma, and college campuses. Into these disregarded interiors, her poems breathe air. As in her previous book, Brief Evidence of Heaven, Sister Keita again displays powerful attention to voice, intimate and constant, even as speakers and subjects shift. We hear the complex Blues across these journeys and we, too, become travelers.”
—Sonia Sanchez
“How do we make a city with a name like ‘Philadelphia’ work for us when Philadelphia makes it hard for our blue-collar fathers to go to work? Migration Letters is a book of poems that has at its heart the question of cognitive dissonance in Black people who survive, participate, and thrive in an America they cannot fully trust. This dissonance is often best articulated through Keita’s use of synesthesia and other moments that move toward the surreal in a book of plain-spoken poetry about what is often all too real: ‘Gold/you hear. Gold/you crave.’ Migration Letters is a love letter straight from Keita’s heart.”
—Jericho Brown, author of The Tradition